Thursday, March 31, 2011

Black and White Cinema

Movies like "Sunset Boulevard" and "Barton Fink" helped us imagine what life was like the writers in the Hollywood of big studios. Knowing that the film was made much money (and overly so fast), it was normal posh writers sell their soul to the devil in exchange for the glare of tinsel. Sacrificing the integrity of his previous literary commitment in favor of accepting the suggestions from the offices they were doing. At the end of the day, no matter how grown they were, they entered through the door of the study, were not just another brick in the wall, another link in the chain.


One of these writers was Daniel Mainwaring, a Californian who while working as a journalist for San Francisco Chronicle a novel published in 1932 considered at the time as "too proletarian", entitled "One Against the Earth." Perhaps the allegations were received that he "invited" to change not only the "tone" of his writings, but even his name. He adopted the pseudonym Geoffrey Homes and opted for something less committed and easier to sell: crime and mystery. In this area was managed with considerable wealth during five years, enough time for that siren launched from a small production company called Pine Productions (a kind of branch specialized in series B Paramount). Mainwaring's first job in Hollywood was the screenplay for "No hands on the clock" (1941), the first step in a career that lasted well into the 60 and that, like many others, was hampered by its inclusion in blacklists. In this photo, he is seen smiling next to Bogart, someone who could not spoil the race witch hunters, unlike what happened with Mainwaring.


Between 1941 and 1946 he wrote a considerable number of novels and screenplays of variable quality. One day, tired of writing detective stories in which everything is focused on whodunitDecided to turn around and published a more ambitious work, "Build My Gallows High", a novel next year, with a couple of adjustments made by the same Mainwaring, Frank Fenton and the great James M. Cain, became the screenplay for "Out of the Past" (1947), directed by Jacques Tourneur and almost unanimously regarded as one of the best works of black film of all time. Produced for RKO by Warren Duff, "the Past" tells the story of an ex-detective retired and runs a gas station in a small town. Bring a quiet and simple life, dividing his time between fishing and his girlfriend. One day he receives a visit from an old acquaintance who tells him that the boss wants to see it. It is clear that no one can escape his past.

Starring Robert Mitchum, Jane Greer, Kirk Douglas and Rhonda Fleming, this movie is showing on Wednesday 16 February at 19:00 in Cultural Sphere of the English Court (Mesa y Lopez, 15, 7 th floor). The screening, free and VOSE, give way to a conference and cultural practice in this forum.

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