Neha Hinge

Bollywood Happened Just By Chance : Neha Hinge

If fate would have willed, smart and beautiful Neha Hinge may have made her debut with Madhur Bhandarkar’s film Dil To Bachcha Hai Ji, but now she is all set to make her bow with Madhur’s friend Joe Rajan’s maiden film as a director- Luv U Soniye in which she has been teamed in the romantic lead opposite none other than Tanuj Virwani, the handsome and dashing son of actress Rati Agnihotri.

Neha confesses that she is in films today only because she had won the crown of Miss India. “When Madhur selected me as Bombay Diva, which was a part of the Miss India pageant, he told me that he would sign me on for his film Dil To Bachcha Hai Ji, but it did not materialize for reasons best known to Madhurji”, quips Neha.

How did Joe Rajan discover you I ask Neha. Pat comes the reply, “It was Madhur who had suggested to Joe that he should cast me in his film Luv U Soniye, when he told Madhur that he was all set to make his debut in films as a director with his film Luv U Soniye. Joe signed me on as the leading lady of his film even without me giving any audition. On hindsight, I think that whatever happens in life happens only for the better, because nothing can be better than a film, with which you are making your debut with a title role.”

The reason she decided to make her bow with a new production house like that of Joe Rajan and not wait till a big banner like say that of Yash Chopra offered to launch her, is that she had to start somewhere. “All that I can say with due respect is that Yash Chopra is Yash Chopra but all of us have the capacity to reach that place slowly and steadily, since Rome was not built in one day. Joe is one director, who knows exactly what he wants from his actors. Joe lets us give variations in our expressions and besides being creative, also takes ideas from each and every one on the sets, from the spot boy to the light boy.”

Neha confesses that it was not at all difficult for her to portray her character effortlessly, because in the first place, she plays a sweet and cultured young girl, who loves her family and always makes it a point to fight for what is good. To let her get into the skin of her character, Joe asked voice teacher Joy to help her now the technicalities of modulation of her voice and also subjected Tanuj and her to exercises,  which helped them build up chemistry between both of them.

Neha confesses that she is not at all a trained actor and it was for the first time that she faced the camera on the sets of Luv U Soniye. “I am the face of Pantaloon. I confess that on the first day of the shooting, I was quite scared and nervous but started enjoying the process of acting, when I got its essence. It is amusing, but the fact is that though I was nervous while giving the rehearsal, I was okay when the take was on. My first take was what you’d call in film parlance a one take”, gushes Neha.

Neha is a software engineer, who has worked for two years in Accenture, Pune and though Miss India was something that she had always yearned to be, Bollywood is something that has happened just by chance. “Though I concede that I did not ultimately act in his film, the fact that a director of the stature of Madhur Bhandarkar selected me for a part in his film Dil To Bachcha Hai ji was, by itself, a big pleasant surprise to me.”

Neha admits that her parents have always treated her like a son. “My father told me to go ahead and avail of the opportunity when the offer to act landed in my lap. Though I had heard horror stories about the casting couch in the film industry, I realized that it is not the case when I started working. I now know that it is only women who want to be exploited, get exploited in Bollywood. If you are strong, no one on earth can force you to do something that you do not want to do.”

What is your take on exposure? I ask Neha point blank. “As an actress, I certainly would love to look glamorous on the screen. I am quite confident about my body and am even ready to flaunt it.  However, if it is not required, I am not game for exposure. I am okay as far as lip-locks are  concerned and also can look hot, but please no Mallika Sherawat kind of role in films like Murder for me, because I do not want to get saddled with that kind of image as far as I am concerned.”

Neha confesses that she had turned down an offer some time back when the producer asked her to appear in a bikini in his film, because the role was not at all appealing enough for her to say yes. “If it is shot aesthetically like it was on Priyanka Chopra in Dostana or Kareena Kapoor in Tashan, I do not mind at all appearing in a bikini,” asserts Neha.

When I ask her whether she fell in love with her co-actor Tanuj while the shooting of the film was on, Neha signs off by stating that she is still single and her search for the Mr Right is on and adds, “You should not mix your personal life with your professional life.”

Rise of the Planet of the Apes

Directly from the United Kingdom is the new promotional trailers for the prequel ' Rise of the Planet of the Apes ', where we enter the classic premise of scientific research where human society leads to their destruction.All this from finding a cure for Alzheimer's that makes the character played by James Franco , who tries to find a way to heal his father ( John Lithgow ).

From Whence the genetic experimentation on an ape named Caesar, whose creation is a fusion of the interpretation of Andy Serkis as the magic with digital wizards Weta.The next advance also allows a glimpse of the incredible level of visual effects for this project, which will definitely more than someone with the impression of pure dislocated jaw, as well as probe the whole dynamic of the drama.Yes, because in reality not all be the rise of the apes have been sold earlier gains.

why 3 idiots is different

Now go watch the movie two and a half - three hours of daily life no longer get rid of Kickic. Of this trend by some anaylists Saiko interpretation is interesting. According to her mother's womb movies of people in India makes sense. The darkness of the strange - gives little comfort, as the mother's womb is dark, but it's like one side edge of the tunnel also seems light. Similarly, in the cinema hall is the dark screen Chirti light and noise. This interpretation is not even considered it could be believed even if that seat hall are Prsate as we relax too much.

Everything used to work before the name of cinema, family drama, narrative or Politikl hero fights alone against the system. It still happens but some other manner. Before we see in movies and know that it is film. Everything will be fine until after picture. Hero does not realize was around, but until last shot come - had come to feel like a superstar. A liar in the world enjoys that some efforts may change. And the story about him was too much to know. 'Sholay' in a film like that hood you from start to end of Gabbar Singh will be bad. If two brothers are separated, then it will meet and mother - father or million times, despite protests hero - heroine will become one. But cinema was seen Yet so long to get this one fixed end and found a way to silver.

Today's cinema is not so. Reality not hate us now. In a limited right but getting ahead at Metro and other cities, the population is in search of opportunities. We often use this in the World add that before people Jumle dreams were showing, now is just hope Jagani. Date in high morale is said to think not stupid. reality similar to the cinema, the morale is showing a new way.

With this new opportunity has Aksperiments television. TV News is reality shows, the day is coming TV cereals. So routine is visible on all TV drama, the cinema not to go through those same duplication. "Three Idiyts" Unlike the repetition is like a fresh story. Now people wanting to entertainment, but with one should consider. Understood very well the fact is Aamir. He decided to take heart. He is constantly try and bring a cinema, within which people may create some commotion. He not only laughs but also some thinking to come out.

Curiosity about the film's promotion to increase Aamir style is also credited. Although it was risky enough to do. Ad World is a proverb "Good Very Fast advertising Kils a bad product '. Aamir was aware of this risk, but with the film's content was so confident that he put at stake his credibility and unique promotional film he made in small areas known as centers.

Today I from college to the conference, where I am going to the cinema is discussed. This miracle Vidhu - Raju's team is due to the robust tuning. These people do not start shooting until then, until a script - not a bolt on Disksn make concrete. They were told Raju script worked for the entire half year. Nowadays people are put into two films and a half years. The team has a specialty and that they do not take themselves too seriously. Injoy your work is full.

Often says that if his film Vidhu not enjoying seeing me, then why people see this by spending money. Improve care for people in this film is helpful. I firmly believe that cinema must be those who understand that people want to see a picture, but only to fool the device when they have not rapprochement. All Ij well, but only until things with honesty and dedication to be.

The 11th Hour a call to action

A review of the film “The 11th Hour” and a call to action for renewed environmental responsibility.

As it opens with a barrage of violent images of natural disasters, human industry, explosions, and animals running to and fro, the documentary The 11th Hour starts off with a rather grim image of the way things are. Though the images that follow throughout the rest of the film often seem a bit disjointed from the talking heads that describe the state of the planet, the film ultimately communicates the interconnectedness of all things and mankind’s responsibility for our environment.

In many ways, The 11th Hour seems to be a remake of An Inconvenient Truth with Leonardo DiCaprio stepping into the shoes of Al Gore in order to reach the younger demographics. If that alone were the case, the strategy works brilliantly, for as the film points out, it is an exciting time to live because this generation is the one that gets to change the world, and the young minds are the ones that will carry it out. Of course, Leo brings his point home with a few fellows a bit more long in the tooth than he is, including former Soviet leader Mikhail Gorbachev, physicist Stephen Hawking, Nobel Prize winner Wangari Maathai, and journalist Paul Hawken among other reputable minds.


Regarding age, one of the first points made in the film is that humankind is relatively young in relation to the rest of the planet. This puts the theme of the film in a sharper focus when we realize that life will continue on the earth regardless of what we do. The question is if the earth will be able to sustain human life for much longer. At the rate of population growth and pollution over the last few decades, the chances do not look good.

It is a much more humbling view of our role on the planet when we realize that the planet does not exist for us, but we are merely occupants of it. And though our predominant cultural mindset would have us believe that it is our economy and technological progress that matters most, the film points out the importance of realizing our actual place in the world and our connection with all things.

The film goes on to account for our use of fossil fuels and the many levels of detriment that it is doing to the ecology of the planet. Of course, the seemingly simple use of oil is bolstered by the deforestation, mass species extinction, the growing number of natural disasters, depletion of oceanic habitats, and, of course, the scourge of global warming. In actuality, the first hour of the film plays like a horror film.

However, the third act offers a glimmer of hope. At this point of the film, it seems like the entire cast changes from physicists and journalists describing the bleakness of our situation to architects and engineers who are addressing the problems. The truly encouraging aspect of the film is that the ideas they present are not merely concepts, but activities that are actually occurring. Through solar power, wind power, fungal research, geothermal heating, architectural integration, and other incredible steps forward, these ecological designers are developing new technologies based on the principles found in nature instead of our historical method of going against nature. As drastic as the first part of the film is, the end is truly inspiring.

As Mr. DiCaprio says, “Global warming is not only the number one environmental challenge we face today, but one of the most important issues facing all of humanity … We all have to do our part to raise awareness about global warming and the problems we as a people face in promoting a sustainable environmental future for our planet. ”

Though the film proposes some great solutions to the problems we face, they are all crammed into the last half hour. The inspiration found in the film to grasp a new social responsibility and rethink our technologies is only a stepping point. Fortunately, the concept alone has offered a path to follow at the end.

The DVD of the film offers a special feature that further addresses some of the steps toward a solution, but greater than that are the networking websites that have taken on the same name. The 11th Hour Project (http://www.11thhourproject.org/) connects organizations, businesses and individuals to one another, resources and information to create a sustainable world. We work to change public perceptions about climate crisis from hand wringing hopelessness to engaged, hands on problem solving. And The 11th Hour Action Group (http://11thhouraction.com/) was created, in connection with the film, to help individuals and communities take sustainable action on the local, regional and national levels. By providing a means for people to share their ideas and solutions within our framework of sustainability goals, we hope to encourage others to take similar steps.

While The 11th Hour did not make as much of a stir at the box office as An Inconvenient Truth, the films were in production at about the same time. The synchronicity in the messages should tell us something. This is a call that must be answered. Fortunately, the responses are creative, peaceful, inspiring, and joyous.

Labh Janjua